Continuing from last time, we will introduce scripts that will make recording easier. This time, we will introduce a script that writes recorded takes to files with names according to a naming convention.

Continuing from last time, we will introduce scripts that will make recording easier. This time, we will introduce a script that writes recorded takes to files with names according to a naming convention.

At SKYSQUARE, to ensure stable power supply throughout every corner of the field, we increased the main distribution panel's capacity to 50A and extended power lines to outdoor facilities via underground conduits.

Continuing from last time, I'll introduce scripts that simplify recording work. This time, I'll introduce a script that filters out unwanted takes as NG during recording and reverts NG takes back to OK.

Continuing from last time, I'll introduce scripts that simplify recording work. This time, I'll introduce a script that filters out unwanted takes as NG during recording and reverts NG takes back to OK.

Starting this time, over the next four installments, I'll be introducing scripts that simplify recording work. This time, it's a script for easily creating tracks in projects where you prepare separate tracks for each microphone used for each sound.

At SKYSQUARE, we previously had to lay extension cables every time we used the facility. However, because these cables crossed the vehicle access route, setting up and taking down the equipment required significant effort each time. To eliminate this inefficiency and further expand the field's functionality, we decided to build an underground piping infrastructure.

Starting this time, over the next four installments, I'll be introducing scripts that simplify recording work. This time, it's a script for easily creating tracks in projects where you prepare separate tracks for each microphone used for each sound.

Following up from last time, we'll introduce a new script using Perforce, Excel, and Wwise. This script focuses on placing audio files not yet implemented in Wwise into Reaper and automating the pre-implementation processing.

The pursuit of "authentic sound" ultimately led us to overwhelming "mass." To capture the earth-shaking sound of 'destruction'—a sound never recorded before—we resolved to introduce new foley materials to SKYSQUARE.